1000 SONGS - DAY 328 Song #359

DAY 328: A Song I like to Dance to

Back to music, back to Hip-Hop, back to Love, Monie Love. From her first album "Down to Earth", here it is, featuring a sample of a song written by Stevie Wonder for The Spinners (It's  a Shame) and featuring Ultra Naté. Makes me dance around the house, 25 years after. First, the original recording, then the Cool-As-Mix, featuring a sample of Sister Sledge's "He's the Greatest Dancer". I do like the original version more, although the extended mix might work well with a fine DJ.

1000 SONGS - DAY 327 SONG #358

DAY 327: Northern Soul's Inspiration

Northern Soul is either a musical style in Northern England or a life-style in Northern England heavily influenced by Motown RnB and Soul, especially by those "rare soul" tracks released on the many small labels by those gifted soul artists of the early 60ies. Here are three songs that would fit into these categories, the first one by Charles Sheffield, more a RnB thing in the great New Orleans tradition. And in that tradition, it is only natural, that Voodoo is mentioned. If you want to know more about "Voodoo", click here: http://cultrelhgh.blogspot.co.at/2009/08/zombies-leopards-and-genre-theory.html, if you want to know more about Charles Sheffield, click here: http://soulstrutter.blogspot.co.at/2009/09/ns596-charles-sheffield-its-your-voodoo.html.

We go on with Sherri Taylor and her wonderfully ringing bell - very straight to the point -  to end up with Ted Taylor and his complaints about all those other guys trying to ring the bell he alone is in charge of or so...

1000 SONGS - DAY 326 SONG # 357

DAY 326: A Song transposed from Major to  Minor Key

Gustav Mahler (1860-1911) was a great Austrian composer, opera director and so on. His symphonies are among my favourites. His first symphony (named after a book by Jean Paul that I have read in its entirety [each and every one of the "Jobelperioden"]: Titan), features - as the 3rd movement - a treatment of one of the most popular French folk songs (along with "Sur le pont d'Avignon"), Frere Jacques, transposed from the major key of the original to the minor key in which the song might have been rendered in the Austrian empire. Some commentators also hear influences of Kletzmer in this one. Be that as it may, it is simply great. Here is a version of it, as performed by The Chicago Symphony Orchestra conducted by Pierre Boulez.

1000 SONGS - DAY 325 SONG # 356

DAY 325: Bring It On, Mr. Bassman! Remembering Charlie Haden

Charlie Haden (1937-2014), born in the Midwest (Missouri), died in the Far West (California) yesterday. One important Jazzman, he played the double bass in bands and orchestras with likes of Ornette Coleman,  Keith Jarrett, Archie Shepp or Carla Bley, to name but a few. Here is a swinging tune called "Ginger Blues" recorded in 1995, with Ginger Baker on drums and Bill Frisell on guitar; this is very "elastic" due to the great bass-lines of Mr. Haden. There is also a solo done by him on that one. May he rest in peace!

1000 SONGS - DAY 324 SONG # 355

DAY 324: 2 Road Songs by Lucinda Williams

Going back to what has been labelled "Alternative Country" but also as "Roots Rock", "Americana" and the like: Lucinda Williams, Country singer who had her breakthrough in the music business with her fifth album, "Car Wheels on a Gravel Road". In 2002, Time Magazine named her "America's best songwriter". Although she wrote some really beautiful songs, methinks that no one could be called America's best songwriter in earnest, and, even if so, there are some other candidates (at least) on my list for that honour. Nevertheless, I do like the songs of Lucinda, and here are two: "Car Wheels on a Gravel Road" in an excellent version done in 2009, and, in a version done 20 years earlier, a song from her third album "Lucinda Williams", "Side of the Road" (and this is indeed a very beautiful song).

1000 SONGS - DAY 323 SONG # 354

DAY 323: None of Us Are Free

This is a song from the 2002 album of the great Rhythm and Blues & Soul Singer Solomon Burke (1940-2010), Don´'t Give Up On Me. It is written by Barry Mann, his wife Cynthia Weil and Brenda Russell. There are also versions by Ray Charles and Lynyrd Skynyrd. They are not bad (especially the one by Ray, but maybe one could make a claim that it bears some traces of "overproduction"), nevertheless, the Solomon Burke version is the one with the most appeal to me. Here it is, followed by the lyrics:

Well you better listen my sisters and brothers
'Cause if you do you can hear
There are voices still calling across the years.
And they're all crying across the ocean
And they're cryin' across the land
And they will till we all come to understand.

None of us are free
None of us are free
None of us are free, one of us are chained
None of us are free.

And there are people still in darkness,
And they just can't see the light.
If you don't say it's wrong then that says it right
We got try to feel for each other
Let our brother's know that we care.
Got to get the message, send it out loud and clear.

It's a simple truth we all need just to hear and to see.
None of us are free, if one of us is chained
None of us are free.
Now I swear your salvation isn't too hard to find
None of us can find it on our own.
We've got to join together in spirit, heart and mind.
So that every soul who's suffering will know that they're not alone.

1000 SONGS - DAY 322 SONG # 353

DAY 322: Best Version of a Song Formerly Posted

Self reference and creating self-refering loops by that technique is one of the greatest things invented in writing about things ever (or so, and in music, too). On February 17, 2011, I have written about "See That my Grave is Kept Clean", that it "is a song by Blind Lemon Jefferson, prominently featured on Bob Dylan's debut album, Bob Dylan. Many singers and bands have done versions of it, among them Steve Wynn's Dream Syndicate on their 1988 album 'Ghost Stories' (the version I would like to hear at my funeral - in case that there is some chance to hear anytghing on your own funeral), Lou Reed and Grateful Dead."

Then, there was no version of the version I would like to hear at my funeral available on YouTube or so. Now, there are two versions available, the studio version and the "EPIC LIVE VERSION". Greatest versions ever of one of the best songs ever, Dream Syndicate doing See That My Grave Is Kept Clean:

1000 SONGS - DAY 321 SONG # 352

DAY 321: Three ways to do a Song

Ben Harper seems to be a fine musician. Proof: he is able to do a song that he has co-written in different ways. His own cover-versions, he did. By the way, this is a beuatiful song. So we start with the "video-version" - the one explaining in pictures what he is so angered about. Then, there is an acoustic version and finally, the Reggae-Version. This one is really great, so in case you have no time to listen to all of these or you have heard them often enough, just listen to # 3. Nevertheless, all 3 versions are fine, very fine indeed.

1000 SONGS - DAY 320 SONG # 351

DAY 320: Relax with John Lee Hooker and Ry Cooder

This is an easy one. I do not have to introduce John Lee Hooker. Do I have to introduce Ry Cooder? Certainly not. Approximately 25 minutes of blues by two masters. Enjoy.

1000 SONGS - DAY 319 SONG # 350

Day 319: A Song Featuring Willie Nelson and Carlos Santana

It seems strange, but there is (at least - to my knowledge: exactly) one (rendering of a) song that features Carlos Santana on guitar and Willie Nelson on vocals, buenos dias got to go. And, even more unbelievable, it is a Tex-Mex kind of a song. Who would ever have thought of the Mexican-born inventor of "Latin Rock" to have recorded a song with the great Flaco Jimenez on accordion?  Where's my brown dog, where's my hound? The song was written by Greg Brown, and it is featured on Havana Moon, a very fine album by Carlos, recorded in 1983. Forget "Samba Pa Ti" (members of the generation fathered with the help of this song will nowadays have begotten children on their own), here it is, fine fine song and great musicianship in rendering it (Willie could have done something concerning his accent in the Spanish language):